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Observe that green processes may also be part of T-the invariant is that t8here is no red process outside T . When the set T becomes empty, termination is true. When the diffusing computation st,arts, the environment is the only red proccss initially (with no1iempt.y outgoing channels); the invariant is made true by keeping environment in the set T . To maintain the invariant that all red processes are in T , we use the following rule. If p3 turns P red (by sending a message), and p is riot k k in T , then we add P k to T . We now induce a directed graph ( T ,E ) on the set T by defining the set of edges E as follows. We add an edge from Pj to 9,if Pj was responsible for addition of P to t,he set T . We say that Pj is {,he k parent, of 4 . From now on we use the ternis n.ode arid process interchangeably. Because every node (other than the enviromnerit) has exact,ly one parent and an edge is drawn from Pj t.0 P only when P is not k k part of T , t,he edges E form a spanning tree on T rooted at the environment. Our algorit.hm will mainhin this invariant:

So, Picasso decides he ll play with the software before designing anything for real. He chooses the Rectangle tool first, clicks, drags, and voil ! A rectangle appears on the screen! His confidence soars. He may try the other shape tools next, but sooner or later, Picasso starts playing with some of the software s other features. Eventually, he eyes the soon-to-be-dreaded Pen tool. And thus starts his downward spiral into terror. Confusion ensues. Hours of staring at an Illustrator document and wondering Why take up the majority of his time. Picasso doesn t really understand fills and strokes, he doesn t understand stacking order and layers, and he certainly doesn t understand B zier curves. Picasso goes through the tutorial three times, but whenever he strays one iota from the set-in-stone printed steps, nothing works. Picasso becomes convinced that the Pen tool is Satan s pitchfork in disguise. Patterns make about as much sense as differential equations. Then, he encounters things such as effects that can be edited later (huh ), miter limits for strokes (yeah, right!), and the difference between targeting a group or all the objects in that group (huh again). All are subjects that seem quite foreign and impossible to understand. Picasso had never used or seen software as different as Illustrator. Ah, but you have an advantage over Picasso. You have this book. The following sections in this chapter take you through the interface and common editing commands that help you construct better illustrations. The other areas focused on are the basic Illustrator functions, from setting up a new document to understanding exactly what paths are and how Illustrator uses them.

(11.13)

Quorum sensing has many manifestations in coordinated stimulus response systems of the microbial world (Miller and Bassler, 2001; Winans and Bassler, 2002). This cell cell communication phenomenon was originally discovered in Vibrio scheri, where quorum sensing regulates expression of bioluminescence (Nealson and Hastings, 1979). Quorum sensing is also a regulatory mechanism for coordinating populations of bacteria involved in the following: The production of antibiotics. The activation of pathogenesis factors. Triggering intracellular transfer of plasmid DNA. The morphological development of some microorganisms. A diversity of chemical signaling compounds has been discovered. The compounds are all produced intracellularly, diffuse outside the cells, and only reach the critical intracellular threshold for gene activation when a high density (a quorum ) of cells are present. What emerges is a sophisticated and widespread network of cell cell signaling system that modulate microbial behavior and interactions in nature.

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5. Upload to your site as you would normally. The Flash file is considered a dependent file of the page and is transferred automatically by Dreamweaver.